Sound Rejection Comparison
We had our award winning engineer Scott Fraser (Kronos Quartet), design and record a series of tests to gage the noise reduction of the Remics and a pair of DPA 4099 mics (the only other mic for string players that claims significant ambient noise reduction that we think would serve as a comparison) through the same tests.
Check out the video below for more info:
85 db (loud)
90db (more loud)
95db (VERY Loud)
100db ("Hella" Loud)
Listen to these tracks (recorded simultaneously right near the players head to hear the volume balance as you would hear it in the room.
85 db (loud)
90db (more loud)
95db (VERY Loud)
100db ("Hella" Loud)
85 db (loud)
90db (more loud)
95db (VERY Loud)
100db ("Hella" Loud)
Listen to these tracks (recorded simultaneously right near the players head to hear the volume balance as you would hear it in the room.
85 db (loud)
90db (more loud)
95db (VERY Loud)
100db ("Hella" Loud)
90db (more loud)
95db (VERY Loud)
100db ("Hella" Loud)
Listen to these tracks (recorded simultaneously right near the players head to hear the volume balance as you would hear it in the room.
90db (more loud)
95db (VERY Loud)
100db ("Hella" Loud)
90db (more loud)
95db (VERY Loud)
100db ("Hella" Loud)
Listen to these tracks (recorded simultaneously right near the players head to hear the volume balance as you would hear it in the room.